Olivia Rodrigo: Sour Notes, Sweet Threads
- Editorial Team
- Oct 25, 2024
- 2 min read
There’s a specific kind of heartbreak that seems to grip young women, a raw, almost operatic despair that finds its voice in tear-stained lyric sheets and overwrought text messages. Olivia Rodrigo, with her debut album “Sour,” tapped directly into that vein. And while her music struck a chord with millions, it was her wardrobe that truly fascinated me.
Rodrigo’s style is a fascinating contradiction: a Gen Z mash-up of vintage references and Y2K throwbacks, all filtered through a lens of unabashed, almost defiant femininity. It’s Courtney Love meets Britney Spears, with a dash of Carrie Bradshaw’s early-aughts experimentation thrown in for good measure. Remember when fashion was fun? When it wasn’t afraid to be a little messy, a little ironic, even a little bit ugly? Rodrigo’s style brings me back to that time, to a pre-Instagram era when personal style was just that: personal.
Take, for instance, the now-iconic lilac Versace suit she wore to meet President Biden. A bold choice for anyone, let alone a teenager visiting the White House. But on Rodrigo, it felt fresh, irreverent, even a touch subversive. The boxy silhouette and pastel hue felt like a deliberate rejection of the hyper-sexualized image often foisted upon young female pop stars. She was making a statement: I’m here to be taken seriously, both for my music and my mind.
And then there are the slip dresses. Oh, the slip dresses! A constant presence in her wardrobe, they channel a kind of effortless sensuality, a knowing wink to the male gaze without ever feeling exploitative. Paired with chunky platform boots or layered over band t-shirts, they become less about seduction and more about self-possession. It’s a look that says, “I’m comfortable in my own skin, and I’ll wear what I damn well please.”
I’ll admit, not every outfit is a hit. There have been a few missteps along the way, moments where the vintage references felt a little too literal, the proportions a tad off. But that’s part of the charm, isn’t it? The willingness to experiment, to push boundaries, to occasionally stumble. It’s a refreshing change from the overly curated, Instagram-perfect aesthetic that dominates so much of today’s fashion landscape.
Rodrigo’s style is a reminder that fashion can be a powerful tool for self-expression, a way to explore different facets of your personality and project them outward for the world to see. She’s not afraid to be vulnerable, to embrace the messy and the imperfect, and that’s what makes her such a compelling figure, both musically and sartorially. In a world obsessed with polished perfection, she offers a welcome dose of raw authenticity. And that, my friends, is always in style.
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