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Kerr's Kitsch: A Supermodel's Surprisingly Conventional Decor




So, Miranda Kerr decorated her Malibu home. Big surprise, right? Another celebrity, another interior design spread. You brace yourself for the inevitable deluge of perfectly-placed succulents, reclaimed wood, and enough Edison bulbs to light a runway. But then, something unexpected happens. You find yourself… charmed? Confused? Dare I say, relating to the jumble of chintz and Chinoiserie?


Kerr, the Australian supermodel best known for her Victoria's Secret Angel wings and entrepreneurial spirit (Kora skincare, anyone?), has opted for a decidedly more traditional aesthetic in her beachside abode. Think floral wallpaper, ruffled lampshades, and a healthy dose of what some might call "grandma chic." Now, I'm not talking about dusty doilies and crocheted toilet paper covers. This is a curated kind of kitsch, a deliberate embrace of the decorative elements often relegated to the back corners of antique stores.


The living room, awash in soft pinks and creams, features a vintage velvet sofa piled high with embroidered cushions. A crystal chandelier hangs above, casting a warm glow on the ornate gilt mirrors lining the walls. It's a far cry from the minimalist havens favored by many of Kerr's contemporaries. And that's precisely what makes it so intriguing.


There's a fearlessness to this kind of decorating, a rejection of the prevailing trends in favor of personal taste. It's a reminder that a home should reflect the people who live in it, not the pages of a glossy magazine. And while I might not personally opt for a floral chintz sofa, I can appreciate the confidence it takes to embrace such unabashedly feminine touches.


Of course, not everyone is on board with Kerr's design choices. The internet, as always, is rife with opinions. Some praise her for bucking the minimalist trend, while others lament the lack of sleek lines and neutral palettes. But isn't that the beauty of personal style? It's subjective, it's individual, and it's bound to elicit strong reactions.


I remember once interviewing a young designer, fresh out of Central Saint Martins. He was all sharp angles and black leather, his apartment a testament to the power of negative space. We talked for hours about his inspirations, his design philosophy, his disdain for anything remotely "decorative." As I was leaving, I noticed a small, faded photograph tucked into the corner of a shelf. It was a picture of his grandmother, standing in front of her home, a riot of flowers and colorful clutter. He caught me looking at it and shrugged, a rare smile softening his features. "She had the best taste," he mumbled, almost apologetically.


It's a funny thing, taste. It can be inherited, cultivated, or completely rejected. It can evolve over time, influenced by our experiences, our relationships, the places we live. And sometimes, it can surprise us, revealing hidden depths and unexpected longings.


Kerr's home, with its charming mix of old and new, traditional and unexpected, is a testament to the power of embracing one's own unique aesthetic. It's a reminder that true style isn't about following trends, it's about creating a space that feels authentically you. And if that means embracing a little kitsch along the way, well, then more power to her.


In a world obsessed with perfection and curated lives, there's something refreshing about Kerr's unapologetically personal approach to decorating. It's a reminder that home is not a showroom, it's a sanctuary. A place to relax, recharge, and surround yourself with things that spark joy, even if those things happen to be a pair of porcelain poodles or a velvet tufted ottoman.


So, the next time you find yourself scrolling through endless feeds of perfectly staged interiors, remember Kerr's Malibu haven. Remember that it's okay to embrace the unconventional, to mix patterns with abandon, and to let your personality shine through, even if it means inviting a little kitsch into your life. After all, a home without personality is like a dress without a soul—technically correct, perhaps, but ultimately forgettable.

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